The thing that I love about Larry Young on this album (and Unity for that matter (also on Blue Note)) is that he uses the organ differently than most other hammond B-3 players. Rather than emphasizing the usual soul-rock sound that the B3 can often evoke, he plays it in a far more progressive, experimental way without ever getting too far from the core of the song or losing jazz’s core of blues.
This great album belongs in every jazz lover’s collection, imho…
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